November 14,1902 : A very rudimentary and makeshift
recording studio had been set up in two large rooms of a hotel in
Calcutta by the Gramophone Company. Frederick William Gaisberg and his
assistants had arrived just three weeks before from England on their
first Far East recording expedition for the Gramophone Company, which
had been founded in England in 1898. They had appointed a local agent
for selecting and training artists for recording on gramophone discs.
However, the agent selected Anglo-Indian artists and completely ignored
local talent. Gaisberg then sought the help of the local Police
Superintendent, visited several theaters, attended mehfils at wealthy Jamindars’
palaces, and thus found at least one promising artist to begin with.
The artist was a very famous dancing girl, and her voice was very sweet,
although not for European ears. She agreed to a recording session for
the handsome fee of 3,000 rupees. Such an artist was necessary in order
to build a firm business foundation on the Indian scene, especially when
several other German, French and American recording companies were also
planning to capture the Asian market in general and the Indian market
in particular.
At around 9.00 a.m. a young lady entered the studio with all her
paraphernalia, including accompanists and relatives. Loaded fully with
very expensive ornaments and jewelry, this 30 year old, fair,
medium-built lady went onto the stage prepared for the recordings. Sarangi, harmonium, and tabla
players began to tune their instruments. Gaisberg personally checked
the equipment. A thick wax master record was placed on the turntable
rotating at 78 rpm. A huge recording horn was fitted on the wall behind
her and close to her face, and she was asked to sing loudly into the
horn. At the narrow end of the long horn a diaphragm fitted with a
needle was connected to the recording machinery, with a needle placed on
rotating disc for cutting the grooves. Gaisberg requested her to sing
for three minutes and announce her name at the end of the recording. At
the end of the trial recording she announced – ‘My name is Gauhar Jan‘.
This announcement was necessary since the wax masters were sent to
Hanover in Germany for pressing the records and the technicians would
make proper labels and confirm the name by listening to these
announcements at the end of the three minutes performance.
Showing posts with label attended mehfils. Show all posts
Showing posts with label attended mehfils. Show all posts
Tuesday, 23 July 2013
legacy of Gauhar Jan
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Labels: 1902, antiquity, attended mehfils, classical, gauhar jan, harmonium, hindustani, music, November 14, recordings, Sarangi, several theaters
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